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Politics of Portraiture 


Donna Cameron's course of study of the poetics and

"Politics of Portraiture"



New York University * Tisch School of the Arts * Department of Open Arts 

Since 2003 this course has provided students a chance to participate in 

the study of a special timeline of global art, history and politics in the Western portrait genre 

through activities which focus on each student's individual poetics and cultural footprint.

The course is written and taught by award-winning multimedia artist, Donna Cameron, a longtime NYU faculty. 

P.o.P. NEWS and Art Gallery
This blog feed has select pics from our recent (5 years) onsite class lectures and P.o.P. journal projects. Scroll down for mask, photography and older (12 years) collage multimedia projects.


Politics of Portraiture Class, Spring 2016, at the Grey Art Gallery Show:

Global/Local 1960–2015: Six Artists from Iran January 12–April 2, 2016



Some Spring 2015 Collage Portraits

My portrait of my Grandma in the style of "The Migration Series", 1941, by Jacob Lawrenceby Chase Anderson 
My final collage is a portrait of a loved one in tough transition: my grandmother. My grandmother has known much migration in her life. She grew up wealthy, on a ranch in Montana, married an Indian man, was disinherited and then was deported with her husband back to India, where she lived in a small village. After seven years, she divorced hime and moved back to Montana. Although she suffers from mental illness, she is always incredibly bubbly and happy; I would liken her to Winnie the Pooh. She is childlike in her simple approach to life. She goes to work as a nurse and comes home, watches Avatar, her favorite movie, puts on her gel face mask and goes to bed before 8. Her life's hardest period of life's "migration" is upon her now. This past December she fell down at a grocery store and broke both of her arms. In my collage we see her behind bars looking at a bank of words that use to be her life when she was mobile. Now she is in a wheelchair, recovering and cannot do most things by herself. She cannot work anymore, she cannot babysit her grandchildren, she cannot drive a car, and she cannot feed herself. She has been forced to retire and watch the routine of her life as she knew it for the last 30 years disappear. Slowly, she is migrating back to wellness!

FALL 2014 at NYU's Grey Art Gallery 

 classCOLEGREYphoto.jpg Vice-Provost Professor Uli Baer gave us a special talk on the apartheid photography of Ernest Cole!



Politics of Portraiture is Art and Serendipity! Here, NYU Global student student Nahal Mustafa, in a Politics of Portraiture outdoor session with Professor Cameron, was given a personal talk by one of the Dokdo Racers about the importance of Dokdo Isalnd, and the politics between Korea and Japan over its landscape. Their special mascot, the Korean Bokcheong Lion, performed by happily blending traditional costume and dance into the diverse cutural rhythms of the park. Dokdo Racers hold public cultural performances in major urban centres to share the Korean culture and attract people to the message of global world peace through cultural education and understanding.  Performances this year in Washington Square Park by this group of 4 Korean university "Racers" is the Bukchung Lion Dance (북청사자놀이), a style of traditional Korean lion dance originating from Bukchung area in Hamgyong Province performed on the First Full Moon Festival (정월대보름) to cast away evil spirits and pray for world peace and good health.

JANU2014MEDIEVALMET.jpg Matt, Sophia & Michelle
during the Politics of Portraiture wintersession 2014 @ the class lecture on Medieval Portrait Studies at the MET, NY. 


 Politics of Portraiture Fall 2013

 at Soho's Morrison Hotel Gallery to study portrait photography

 of contemporary musicians.

   CHOIRBOYJuly3WEB.jpg "CHOIR BOY", a portrait of diverse adolescents discovering cross gender issues and politics of human sexuality, was seen during its NYC opening week by summer 2013 Politics of Portraiture students (from left) Brandon, Lauren, Mary Catherine, Irene and Jelani.


P.o.P. summer 2013, co-lecture about Josef Albers color theory with LIU Senior Arts Professor Cynthia Maris Dantzic.


P.o.P. FALL 2012 @


P.o.P. class of SUMMER 2012 at the TEMPLE OF DENDUR during Donna Cameron's "pharaonic burial statuary and ritual objects as elements of portraiture" lecture.

@ MET, NY's Egyptian Wing.



P.o.P. SUMMER 2012 @ an Andy Warhol factory simulation, among the mirror clouds during Donna Cameron's lecture about seeing, moving and interacting with art.  

@Gallery 1054's William John Kennedy's Portraits of Andy Warhol & Friends photo show. 


webassets/candlelight.gif MASK PROJECT GALLERY


Portrait of Sophia
Politics of Portraiture 7 Jan. 2014 Mask & Essay

I am budding adulthood upheld by the trappings of my youth. I am confused. I am in limbo between maturity and naiveté. I am Id and Superego. My Trader Joe’s face represents good choices. Health-conscious and budget-driven choices. My giant Pixie Stick base makes up most of me. It represents impulsivity. It represents eyes larger than my stomach. It represents childish fancies and no concern for financial burden. Together, these components make up my state of mind. The fact that the Pixie Stick is the large, undeniable base makes this Trader Joe’s mask an accurate representation of the mature façade that I present the world.  


Portrait of Matthew
Politics of Portraiture January 6, 2014 Mask & Essay


I am a computer generated man. I was created for use in films, commercials and television shows. Last year I spent a semester in Italy, away from the digital world. I learned that there were other interesting things in life besides the film industry. I played soccer frequently  and traveled to other countries in Europe to watch them play live. Upon my return to the United States in the winter, I snowboarded on the weekends, I continued my digital life, creating motin graphics for various clients. When I'm not snowboarding or being used in the media, I enjoy playing Xbox in my free time.

ROBERTOHMANMASK.jpg Robert OhmanPolitics of Portraiture Mask

In The Hero Within, Carol Pearson mentions the idea of God creating man in his own image, meaning he created someone who creates. With this in mind, I made my mask. Composed almost solely of old scraps of negatives, from photography and filmmaking, the mask is a collection of things I’ve created, things that would not exist in this world had I not been here. On one had, the mask represents me because I love photography and movies. I also love the analog medium of film. On the other had, the mask represents me as a creator, since it’s composed mainly of things that I have contributed, to whatever degree of significance, to this world. Another interesting aspect is the idea that I have taken things that I have previously created, and used them in a way that I had never expected to, creating a new and unrelated object entirely. 9/24/13

juliomask.jpg Julio Saenz MASK

The dark warrior. It's appearance is complex, both comforting and intimidating. It represents the duality of my character. A person who pursues sophistication and strength, but recognizes that internally I am innocent and open. The black color represents wisdom. I was always being told that when I was younger and it has resonated with me 'til now. I chose the red because I would associate myself with a romantic style of thinking. Whether it comes from my Hispanic background or the way I was raised, I have always been conscious of my outlook of life. It comes from to bottom of the mask and not the the top to represent growth. There is a x on in the middle of the forehead. The x represents a crossroads, which I believe I am in right now. The crossroad of childhood to adulthood. Of dependence to independence. I chose blue because it has a symbolic connection to pure qualities. It also is the color of water which can be in all states of matter and is something that I aspire to be able to do. Smooth as Water, Stern as Ice and free flowing as mist/air. Inside of the mask is white. It represents a blank slate, innocence and simplicity. Internally I want to find peace and tranquility and I recognize that it is within me. 9/24/13


webassets/candlelight.gif SCULPTURE GALLERY



Mixed Re-Purposed Objects.


webassets/candlelight.gif NEW MEDIA GALLERY

A BLOG CAN UNITE A FAMILY. Claudia Carballo began this project as a family portrait in PoP, Spring 2005 and completed it as her masters thesis, 2008, in cooperation with the Gallatin School, NYU.

Claudia visits her Abuelita Lydia's in El Salvador (by Claudia Carballo)

LINK to "Follow Me, NYC" by Seth Brau, Spring '07


webassets/candlelight.gif PHOTOGRAPHY GALLERY


"Stereotype Me" -Anna Nguyen, Spring, 2012


"Hitchin' a Ride"

"Hey mister, where you headed?  Are you in a hurry?  Need a lift to happy hour.  
Say oh no.  Do you brake for distilled spirits?  I need a break as well...Troubled times, you know I can not lie. I'm off the wagon and I'm hitchin' a ride." -Kaylee Byrd, Spring, 2009



"Self Wanderer" -Anthony DiGiacomo, Spring, 2012 




"This is a photo from our Passover Seder.  
My father is reading while I do an impression of the character described.  
It represents a still photo (portrait) from a very theatrical "real life" event."
-Jake Benjamin Levy, Spring, 2009


"This is Mason, the 2-year-old I have been babysitting for a year.
This portrait captures the carefree exuberance only a toddler has,
which will fade and fade with each passing year of his life." -Ash Fisher, Spring, 2009


"Few things can come between this man and his guitar, even the girl who inspires his songs.
It's a daily reminder of his past and a path towards his future.
No portrait of him is complete without it."
-Karina I. Gonzalez, Spring, 2009


"This is my next door neighbor. His name is Ed. He is not a drag queen, but a fireman. He asked me to dress him up like a woman so he could go to a leather party with a college girl. He has two kids, an ex-wife, and a golden retriever. He drives an awfully big truck." -Samy Burch, Spring, 2009


webassets/candlelight.gif PAINTING & DRAWING GALLERY

"Chloe's Mandala" by Scott Templeton, Fall 2009

A Path Within
-Adrienne Cahill, Spring, 2011

"Mom in a Polaroid"

"This painting is based off of a polaroid of my mother when she was just about my age.
Sunset, beauty, youth, and the polaroid itself all allude to time and brevity.
My mother is just as beautiful today, and possess a youthful spirit I hope to hold onto myself." 
-Jenna Wexler, Spring, 2009


"This is a portrait of my mother.  She stashes legal pads with her innermost thoughts all over our house, especially the laundry room, since my father left." - B.M., Spring, 2009

webassets/candlelight.gif COLLAGE GALLERY

-Sarah Rudoy, Fall, 2009



"Girl with a The Girl Viewpoint" -Tristan Viner-Brown, Spring, 2012



"Portrait of Anonymous in Vogue" -Charlie Kolarich, Fall 2011



"I only call her by her full name.
She speaks without words and could swear
there are dinosaurs on her street
(which are really just heavy machinery).
She is my sense of humor, especially
when we yell at teenagers from my car."
-Brad Giovanine, Spring, 2009

webassets/candlelight.gif WORD GALLERY

Red Lights Are A Gift When I’m With You

Red lights are a gift when I’m with you.

A delightful pause on the corner of the street to rest my feet and greet your lips with mine.

“Don’t walk,” it says, and I don’t plan to.

I just plan to stand with this man who

Knows each pore, each hair, and more,

My beautiful breasts, my ugly toes, my scattered scars

So fuck the cars--


Thank you, vans and Volkswagen bugs

For causing our pausing on the corner for hugs.

For making me late for the class where I’ll pass the time

Writing and dreaming up poems like this

About the red lights that allow us to kiss.

Red lights are a gift when I’m with you.
-Mariel Blatt, Portrait of a Loved One, Poem, P.o.P. Spring 2011

From the Fireside


I’d steer us down and back,

We’d speed on lake

Travel west on north


We’d travel (in silence)-

Examining billboards,

the sails on the avenues,

pondering our fate. 


We would be home:

A building much too large for us

A neighborhood we didn’t belong.

“It doesn’t look like much…”

we’d explain.

“You should see it later tonight.”

But this is where we’d live. 

We’d take a seat

Among the sweat,

The dirt and grime

that ten years of loud guitars

could bring.

We’d sit and smoke,

And examine the damage

that ten years of beer

ten years of cigarettes,

tattoos and boots

could bring. 

These were pins you could not lose-

Nights unforgotten.

And now I sit and smoke…

and stare and think

that those two years


the best that life

could bring

- Mike Barron, Poem, Portrait of a best friend from Chicago, P.o.P. Spring 2009.


webassets/candlelight.gif SOUND GALLERY

"ApeAudio" by Corey Ulrich, Fall'09

"Pet's Music" by Evan Katz, Fall'09

webassets/candlelight.gif FILM & VIDEO GALLERY

"Circle of Man"

LINK to "Circle of Man" by John Pierson, Spring, 2010

LINK to "Land Portrait" by John Pierson, Spring 2010

"Portrait of Jake"

LINK to "Portrait of Jake" by Andrew White, Spring, 2009



webassets/candlelight.gifANIMAL PORTRAIT GALLERY



"I cat look at you. Can you see me?" -Misha Handschumacher, Fall, 2009


LINK HERE- MobileDog Museum of Art P.o.P. Animal Portrait Galleries